Performer: Ema Nikolovska

The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.

Intimate playing from Sean Shibe, a deconstruction of Maria Callas’ vibrato and a deeply committed Boulez mid 20th-century masterpiece.

The French director updates the action to the present day, underscoring the validity of the plot – feuding families and class differences are still relevant. 

After more than a quarter of a century, Janáček’s late masterpiece returns to the Canadian Opera Company, but falls short in charm, magic, and humour.

Sir George Benjamin and Martin Crimp’s new chamber opera receives a powerful UK premiere in the Linbury Studio at Covent Garden. 

Fast gänzlich wie im Buche und Mendelssohns vollbrachter Gestaltung strömten flexible Kontraste der Extreme bei Pygmalion aus allen Poren in emotionale Bahnen.