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BudapestMozart: Die Zauberflöte

Mozart: La flauta mágica (Die Zauberflöte)
Péter Halász; Miklós Szinetár; Hungarian State Opera; Dárius Teremi; Péter Horgas; Rita Velich; Hungarian State Opera Orchestra
BudapestR. Strauss: SalomeNueva producción

Strauss R.: Salomé
Martin Rajna; Máté Szabó; Hungarian State Opera; Márton Ágh; Ildikó Tihanyi; Csaba Szilárdi; Nicole Chevalier
BudapestBella – Almási: PassionEstreno absoluto

Bella: Passion
Ádám Cser; András Almási-Toth; Hungarian State Opera; Lili Izsák; Hungarian State Opera Orchestra; Hungarian State Opera Chorus; Botond Pál
BudapestNabucco

Verdi: Nabucco
Gergely Kesselyák; Hungarian State Opera; Edit Zeke; Janó Papp; Hungarian State Opera Orchestra; Hungarian State Opera Chorus
BudapestVerdi: La traviata

Verdi: La traviata
Giampaolo Maria Bisanti; Ferenc Anger; Hungarian State Opera; Gergely Zöldy Z; Hungarian State Opera Orchestra; Hungarian State Opera Chorus
Últimas críticasVer más...
Peace and War: a Hungarian victory for Bieito’s bold production

Calixto Bieito takes on Prokofiev's Tolstoy epic – and wins in the opera's Hungarian premiere.
Szinetár lets the laughs rule in Hungarian Magic Flute
The Hungarian State Opera's revival of The Magic Flute lacks a little magic.
A one-woman show: Lucia di Lammermoor
Klára Kolonits's marvellous Lucia is the only thing brightening the bleak performance of the Hungarian State Opera's new Lucia di Lammermoor.
Rautavaara's The Mine in Budapest
Opening the weekend that marked the 60th anniversary of the Hungarian revolution, The Mine (A Bánya), the first of Rautavaara's nine operas, dramatizes events from those turbulent times.
Znaniecki's directorial success in Budapest
Polish opera director Michał Znaniecki created a new version of Zoltán Kodály’s 1927 The Spinning Room, a short one-act which is basically a collection of 21 Hungarian folksongs that Kodály had selected from the Székely region.
A new Traviata with passions running low in Budapest
Although with a promising concept, the Hungarian State Opera’s new production ultimately proved underdirected.
