Znaniecki's directorial success in Budapest

Por Alexandra Ivanoff, 04 octubre 2016

Descargando, espere, por favor...

Ver la programación

“a fascinating musical fabric that used folk melodies as its golden threads”

Crítica hecha desde Hungarian State Opera: Auditorium, Budapest el 1 octubre 2016

Kodály, Székelyfonó (The Spinning Room)

Hungarian State Opera

Balázs Kocsár, Dirección

Michał Znaniecki, Dirección de escena

Luigi Scoglio, Diseño de escena

Magdalena Dabrowska, Diseño de vestuario

Erika Gál, Háziasszony (housewife)

Atala Schöck, Háziasszony (housewife)

Levente Molnár, Kérője (suitor)

Zsolt Haja, Kérője (suitor)

Adorján Pataki, Fiatal Legény (young man)

Gergely Ujvári, Fiatal Legény (young man)

Andrea Rost, Fiatal Leány (young girl)

Rita Rácz, Fiatal Leány (young girl)

Orsolya Sáfár, Fiatal Leány (young girl)

Zoltán Gradsach, A Nagyorrú Bolha (flea)

Lajos Geiger, A Nagyorrú Bolha (flea)

Andrea Edina Ulbrich, Szomszédasszony (neighbour)

Bernadett Wiedemann, Szomszédasszony (neighbour)

Hungarian State Opera Orchestra

Bogumil Palewicz, Diseño de iluminación

All that glitters is not gold in Budapest's new Lohengrin

Orsolya Gyárfás, 16th November

Klára Kolonits's radiant Elsa proves the main attraction in the Hungarian State Opera's visually appealing but conceptually lacking new Lohengrin.

**111

A thrilling, opulent La Bayadère at Hungarian National Ballet

Gianmarco Segato, 14th June

Hungarian National Ballet's La Bayadère revitalizes tradition with a new reconstruction of its forgotten final act.

*****

Visually splendid, dramatically parched La Gioconda in Budapest

Gianmarco Segato, 11th June

Hungarian State Opera's cut-down, dramatically inert Gioconda fails to ignite the stage in Budapest, despite a solid musical foundation.

***11

Stumbling towards the chopping block: Maria Stuarda in Budapest

Orsolya Gyárfás, 14th May

Martin Rajna's energetic conducting and Gabriella Balga's glorious Elisabetta are the bright spots in this flashy but empty house premiere of Donizetti's classic.

**111

Hungarian National Ballet: a tremendously witty Merry Widow

Deborah Weiss, 12th February

Hungarian National Ballet strike a delightful balance between lighthearted comedy and technical assurance in Ronald Hynd's The Merry Widow.

****1

A promising class: 6th Éva Marton Competition grand final

Orsolya Gyárfás, 7th September

In its tenth year and going strong, the biennial Éva Marton International Singing Competition fields an even level of talent in an entertaining finale.

Más críticas...

Alexandra Ivanoff

Alexandra Ivanoff is an American journalist who, after singing for five seasons with the San Francisco Opera, lived for eight years in Istanbul, where she began her career as a music journalist with Time Out magazine and Today's Zaman newspaper in that city. After one year in Berlin and now in Budapest, she reviews from various cities and festivals in Europe, as well as Istanbul, New York, and Los Angeles. She has degrees in music from the Eastman School of Music in NY and Yale University Graduate School of Music.

Znaniecki's directorial success in Budapest: Kodály’s The Spinning Room