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Technology to the rescue in Zurich's new staging of Boris Godunov
The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether.
A Salome lacking drama at the Verbier Festival
Like most honest listeners I crave a taste of turpitude in Salome.
Kátja Kabanová: Betörendes Wiener Staatsopernorchester
Während das Staatsopernorchester bei Leoš Janáčeks Oper begeistert, vermögen Sängerensemble und Inszenierung den Funken nicht so recht überspringen zu lassen.