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Technology to the rescue in Zurich's new staging of Boris Godunov
The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether.
A Salome lacking drama at the Verbier Festival
Like most honest listeners I crave a taste of turpitude in Salome.
Kátja Kabanová: Betörendes Wiener Staatsopernorchester
Während das Staatsopernorchester bei Leoš Janáčeks Oper begeistert, vermögen Sängerensemble und Inszenierung den Funken nicht so recht überspringen zu lassen.
One eye wet and the other dry
It would be no exaggeration to say Franz Hawlata stole the show, an act of grand larceny made all the more remarkable by the strong cast which shared the stage.
Belly laugh: Falstaff ends CBSO season
Laughter is indeed the best medicine. As we try and make sense of the continuing political fallout post EU referendum, the CBSO offered the perfect prescription in the ample form of Verdi's Falstaff.
Nelsons, BSO and Goerke stun Carnegie Hall in Elektra
Andris Nelsons, the Boston Symphony Orchestra and Christine Goerke give a breathtaking, frenzied performance of Strauss's hate-filled opera, whose score still jars today.