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Technology to the rescue in Zurich's new staging of Boris Godunov
The Zurich Opernhaus tackles the pandemic with an innovative strategy: instead of reducing the size of orchestra and chorus (as many other European opera houses) it removes them from the theatre altogether.
A Salome lacking drama at the Verbier Festival
Like most honest listeners I crave a taste of turpitude in Salome.
One eye wet and the other dry
It would be no exaggeration to say Franz Hawlata stole the show, an act of grand larceny made all the more remarkable by the strong cast which shared the stage.