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Chiaroscuro extinguished: a self-indulgent Poppea in Copenhagen
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Christoph Marthaler’s staging of Monteverdi’s Poppea for the Royal Danish Opera is a study in boredom.
Ein Haydn Sturm und Drang: Concerto Copenhagen in Brühl
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Lars Ulrik Mortensen versetzte in drei unvergessliche Rausche, weil in ihm und dem Ensemble lebendiger Haydn-Witz und kraftstrotzende Haydn-Klasse steckten.
“Up the oboes” in Concerto Copenhagen's Bach in Essen
CoCo's players used a minimum of overt embellishment, always effective and appropriate, as if they felt that nothing more was needed than the printed notes.
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ÁmsterdamJ. S. Bach - Concerto for three harpsichords in D minor BWV 1063

Bach: Concerto for 3 keyboards and strings in D minor, BWV1063
Nederlandse Bachvereniging; Lars Ulrik Mortensen; Siebe Henstra; Menno van Delft
ÁmsterdamJ. S. Bach - Aria variata alla maniera italiana BWV 989

Bach: Aria variata in A Minor, BWV989
Lars Ulrik Mortensen, Clave
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Concerto Copenhagen 3.0: Nikolaj de Fine Licht
Remaining in a comfortable niche isn't an acceptable option: the General Manager of Denmark's most prominent classical music export tells us about their plans for wider fame.
Raw and Realistic: Handel's Brockes Passion
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As Concerto Copenhagen prepare a tour of Handel's unusual work, Artistic Director Lars Ulrik Mortensen tells us why he thinks it is unjustly neglected.
