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Intérprete: Latonia Moore

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BerlínPorgy and BessNueva producción

© Jan Windszus
Gershwin: Porgy and Bess
James Gaffigan; Barrie Kosky; Komische Oper Berlin; Andrew Grams; Jan Freese; Dede Ayite; Olaf Freese

Nueva YorkDiamond Jubilee: 60 Years at Lincoln Center

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The Metropolitan Opera Orchestra; Yannick Nézet-Séguin; The Metropolitan Opera Chorus; Aigul Akhmetshina; Roberto Alagna; Xabier Anduaga
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Porgy and Bess returns stronger than ever at the Met

Brittany Renee (Bess) and Alfred Walker (Porgy) © Richard Termine | Met Opera
Back to Catfish Row for another revival of The Gershwins’ Porgy and Bess and James Robinson’s show continue to wow our writer. 

Nelsons conducts Mahler 8 in Boston

Andris Nelsons conducts the Boston Symphony © Winslow Townson, courtesy of the BSO
A well thought-out, fearless, affirmation of hope which drew its listeners ever upwards into the realm of ecstasy.

Nézet-Séguin and Orchestre Métropolitain celebrate silver anniversary

Yannick Nézet-Séguin conducts the Orchestre Métropolitain © François Goupil | Orchestre Métropolitain
Montreal's Orchestre Métropolitain launches its season with a Bruckner Ninth that includes both an orchestral introduction and a choral finale. 

A choral treat to savour: Verdi’s Requiem at the BBC Proms

BBC National Orchestra of Wales. Chorus of Wales and Crouch End Festival Chorus © BBC | Chris Christodoulou
An outstanding choral performance by nearly 300 singers of the BBC National Chorus of Wales and the Crouch End Festival Chorus lights up Verdi’s hybrid of opera and devotional music.

Blanchard’s problematic Fire Shut Up in My Bones returns to the Met

Ethan Joseph (Char'es-Baby) and Ryan Speedo Green (Charles) © Marty Sohl | Met Opera

An exceptionally strong cast, led by Ryan Speedo Green, fails to disguise Blanchard's bland score and the opera's weak libretto.

A vision of Death Row: Heggie’s Dead Man Walking opens the Met season

Ryan McKinny (Joseph De Rocher	) and Joyce DiDonato (Sister Helen Prejean) © Karen Almond | Met Opera
The Metropolitan Opera makes good on its promise to present more contemporary work, opening the season with Jake Heggie's gut wrenching tale of rage and redemption. 
Latest articles

“It’s a balls-buster!” Latonia Moore on tackling Aida

Latonia Moore (Aida, ENO) © Tristram Kenton
With a hundred performances under her belt, Latonia Moore discusses the challenges of singing Aida as she rehearses Phelim McDermott’s new staging for ENO.