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Performer: Latonia Moore

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A thoroughly worthy Porgy and Bess opens the Met's season

Eric Owens (Porgy) and Angel Blue (Bess) © Ken Howard | Met Opera
The Met’s new production is directed by James Robinson, who has the characters interacting and listening to one another as if in real life – the inhabitants of Catfish Row have known each other for all of their lives and love, pray and grieve like family.
****1
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Porgy and Bess at ENO: Gershwin's music the winner

Nicole Cabell (Bess), Eric Greene (Porgy) © Tristram Kenton
Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one. 
****1
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Opera Australia’s Tosca highlights the tyranny of evil Scarpia

Marco Vratogna (Scarpia) © Jeff Busby
Remarkable singers and magnificent sets successfully transpose Puccini’s Tosca to Nazi-occupied Rome, bringing home the horror of tyranny and how possible it is to occur.
****1
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Billowing silk, blue hair: an evocative ENO Aida

Latonia Moore (Aida) © Tristram Kenton
McDermott envisages Aida as a sister production to his team's mesmeric Akhnaten. But would the hypnotic juggling and glacial choreography work for Giuseppe Verdi's Nile epic?
****1
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Latonia Moore a shimmering Butterfly

San Diego Opera's main stage offering proved that even a warhorse can remain thoroughly enchanting when a production looks and sounds as beautiful as this company’s Madama Butterfly.
****1
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