Intérprete: Mariame Clément

El Teatro Real revive el Achille in Sciro con una excelente producción a cargo de la directora de escena Mariame Clément y el director musical Ivor Bolton.

A fine cast of debutants give an engaging account of Mariame Clément's day out in Seville in a magnificent Marriage of Figaro staging that shows what goes around comes around. 

Présentée en ouverture de saison, la production signée Mariame Clément joue habilement avec les structures musicales de Haendel pour mettre en scène la folie du personnage éponyme.

Mariame Clément’s production of Rossini's meta comedy is tightly revived with some excellent singing. Come for the writing tips, stay for the cured meats.

La metteuse en scène propose une interprétation naturaliste et psychologique de l’œuvre de Haendel qui manque de naturel, au contraire d'un superbe plateau vocal.

Mariame Clément is a popular director at Glyndebourne, and her new production of Figaro shows her trademark approach to hardhitting comedy.

This season, new operas are depositing characters in limbo between this life and the next – from Lincoln in Missy Mazzoli’s Lincoln in the Bardo, to Bassem Akiki’s supernatural retelling of the life of Mustafa Kemal Atatürk. 

This June, Grand Théâtre de Genève offers a rare chance to hear three of Donizetti’s Tudor-themed operas, Anna Bolena, Maria Stuarda and Roberto Devereux, in back to back performances directed by Mariame Clément.