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MúnichDer Rosenkavalier
Strauss R.: El caballero de la rosa
Vladimir Jurowski; Barrie Kosky; Bayerische Staatsoper; Rufus Didwiszus; Victoria Behr; Alessandro Carletti; Bayerisches Staatsorchester
GatesheadBeethoven’s Ninth Symphony
Tjøgersen, Beethoven
Royal Northern Sinfonia; Dinis Sousa; Masabane Cecilia Rangwanasha; Alice Coote; Laurence Kilsby; Matthew Rose
MúnichDas Rheingold
Wagner: Das Rheingold
Vladimir Jurowski; Tobias Kratzer; Bayerische Staatsoper; Rainer Sellmaier; Michael Bauer; Bayerisches Staatsorchester
BerlínLe nozze di Figaro
Mozart: Las bodas de Fígaro (Le nozze di Figaro)
Marc Minkowski; Jürgen Flimm; Staatsoper Berlin; Magdalena Gut; Ursula Kudrna; Olaf Freese; Staatskapelle Berlin
ZürichDoctor AtomicNueva producción
Adams: Doctor Atomic
Elim Chan; Vanessa Beecroft; Zurich Opera; Martin Gebhardt; Orchester der Oper Zürich
Últimas críticasVer más...
Sorprendente e innovadora Flauta mágica en Les Arts
Simon McBurney sorprende al público de Les Arts con una innovadora producción de La flauta mágica.
Grange Park Opera’s Ring cycle opens with an excellent Rheingold
Launching that most ambitious of endeavours, a Ring cycle, Grange Park Opera’s production of Das Rheingold proves a real achievement, led by the superb Alberich of David Stout.
Elin Pritchard leads a fine cast in Grange Park’s Don Carlo revival
Jo Davies’ 2016 staging is revived at the Theatre in the Woods, given a bold execution, led by a regal Elisabetta.
A rite of spring turned inward: Strauss’ Daphne at Seattle Opera
Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.
The Magic Flute returns in triumph to the Royal Opera House
Sir David McVicar's classic staging of The Magic Flute, now over 20 years old, shines afresh in a stylish performance conducted by Marie Jacquot, making her Covent Garden debut.
Loges Werk und Wotans Beitrag: Rheingold an der Bayerischen Staatsoper
Tobias Kratzers Rheingold bildet den krönenden Abschluss der Münchener Opernfestspiele – eine Inszenierung, die jetzt schon als Meilenstein gelten kann.