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Intérprete: Mikhail Svetlov

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Tchaikovsky’s tale of dark obsession sparkles with notable Met debuts

Igor Golovatenko (Yeletsky) and Lise Davidsen (Lise) © Ken Howard | Met Opera
The young soprano Lise Davidsen scored a successful debut at the Met, with impressive support by conductor Vasily Petrenko, also making a debut, led a memorable revival of Pique Dame

Wolf-Ferrari entertains, Tchaikovsky bewitches at Holland Park

John Savournin (Sante), Clare Presland (Susanna) © Opera Holland Park | Ali Wright
Wolf-Ferrari's Il segreto di Susanna provides an airy bon-bouche to Tchaikovsky's Iolanta, brilliantly sung by Natalya Romaniw and David Butt Philip and conducted to fairy-tale perfection by Sian Edwards

Mascagni's Isabeau at Opera Holland Park

Anne Sophie Duprels (Isabeau) © Ali Wright
An embarrassingly trite libretto proves unsalvageable, even with a committed cast of singers.

No muddle, just music: ROH Lady Macbeth of Mtsensk

Brandon Jovanovich (Sergey), Eva-Maria Westbroek (Katerina) © ROH | Clive Barda
The Royal Opera Orchestra produce a revelatory reading of Shostakovich’s eclectic score; a fine performance from Eva-Maria Westbroek and excellent acting from the whole cast light up the drama and farce.

A rousing rarity in Boston: The Maid of Orléans

Kate Aldrich © Kathy Wittman
Disparaged by critics and his fellow musicians, Tchaikovsky's The Maid of Orléans is performed by Odyssey Opera. 

Kát’a Kabanova compellingly staged at OHP

Nicky Spence, Anne Mason, Clare Presland, Julia Sporsén, Laura Woods © Robert Workman
Problems of orchestral balance cloud Olivia Fuchs's straightforward, compelling staging of Janáček’s tirade against the rigidity and hypocrisy of small town society.