Critiques récentesEn voir plus...
Tchaikovsky’s tale of dark obsession sparkles with notable Met debuts
The young soprano Lise Davidsen scored a successful debut at the Met, with impressive support by conductor Vasily Petrenko, also making a debut, led a memorable revival of Pique Dame.
Wolf-Ferrari entertains, Tchaikovsky bewitches at Holland Park
Wolf-Ferrari's Il segreto di Susanna provides an airy bon-bouche to Tchaikovsky's Iolanta, brilliantly sung by Natalya Romaniw and David Butt Philip and conducted to fairy-tale perfection by Sian Edwards
Mascagni's Isabeau at Opera Holland Park
An embarrassingly trite libretto proves unsalvageable, even with a committed cast of singers.
No muddle, just music: ROH Lady Macbeth of Mtsensk
The Royal Opera Orchestra produce a revelatory reading of Shostakovich’s eclectic score; a fine performance from Eva-Maria Westbroek and excellent acting from the whole cast light up the drama and farce.
A rousing rarity in Boston: The Maid of Orléans
Disparaged by critics and his fellow musicians, Tchaikovsky's The Maid of Orléans is performed by Odyssey Opera.
