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Bluebeard as psychothriller in Castellucci's mismatched double bill
Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler.
A hole in the heart: Salzburg Festival’s new Don Giovanni
The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving.
An outstanding New York debut for Teodor Currentzis and musicAeterna
In Currentzis' vision, Verdi's Requiem was both a spectacle and a soul-searching exercise for the musicians, as well as for the listeners.
Die Kunst der Künstlichkeit: Currentzis in der Elbphilharmonie
Currentzis Überpräzisierung lässt beim Brahms-Requiem die Leidenschaft vermissen.
An evangelical happening in Aix
The musicians of MusicAeterna were impassioned, engaged and energised into a single force in this performance of Verdi's Requiem at the Aix Easter Festival.
L’époustouflant Requiem de Verdi du mage Currentzis
À la Philharmonie de Paris, le chef d'orchestre gréco-russe dirige ses troupes de MusicAeterna dans un Requiem de Verdi extraordinaire de minutie et de fluidité mêlées.
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SalzburgoMozart: Requiem in D minor
Mozart: Réquiem en re menor, K626
musicAeterna; Teodor Currentzis; Anna Prohaska; Katharina Magiera; Mauro Peter; Tareq Nazmi