Performer: musicAeterna Choir

Romeo Castellucci's intense production of Bartók's opera reaps its rewards in the performance under Teodor Currentzis, but Carl Orff's opera-oratorio De temporum fine comoedia feels little more than a drab filler. 

The pairing of controversial director and bad-boy conductor brings some thrills but the Salzburg Festival's new Don Giovanni proves disappointingly uninvolving. 

In Currentzis' vision, Verdi's Requiem was both a spectacle and a soul-searching exercise for the musicians, as well as for the listeners.

The musicians of MusicAeterna were impassioned, engaged and energised into a single force in this performance of Verdi's Requiem at the Aix Easter Festival.

A successful musical production of Lully’s masterpiece with Perm Opera’s MusicAeterna chorus and orchestra, Le Poème Harmonique, and a tremendous French-Russian cast.

The transfer of last year's Clemenza di Tito from Salzburg delights and irritates in equal measure.