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Intérprete: Nate Gibson

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Gothic Opera brings powerful high drama to Donizetti in Battersea

Daniella Sicari (Maria) © Craig Fuller
Strong performances and powerful direction in Gothic Opera's premiere UK staging of Donizetti's Maria de Rudenz at Battersea Arts Centre.

Back to the Bard: Longborough's Fairy Queen

Rachel Speirs (Titania) © Matthew Williams-Ellis
Polly Graham's production turns semi-opera into “three-quarters opera”, to good effect.

Don't look back: Longborough's new L'Orfeo

Aoife Miskelly (Eurydice) and Peter Gijsbertsen (Orfeo) © Matthew Williams-Ellis
Olivia Fuchs directs Monteverdi's early opera in a sparse staging with a consistently fine cast. 

Grief compellingly explored: Die tote Stadt at Longborough

An outstanding performance from Rachel Nicholls lights up Carmen Jakobi's compelling production of Korngold's exploration of grief.

Longborough's new Vixen a cunning, charming success

Janáček's woodland fairy tale proved a superb ensemble choice for the festival's Emerging Artists program.

Masks and marriages: Anna Bolena at Longborough Opera Festival

Any occasion to see Donizetti's first big success is to be welcomed. The Longborough Festival's new production of Anna Bolena gives us a Tudor court in terror of a brutish, Henry VIII as he seeks to supplant Anne Boleyn with Jane Seymour.