Back to the Bard: Longborough's Fairy Queen

Rachel Speirs (Titania)

The Fairy Queen

Naomi Burrell in The Fairy Queen

Por Roy Westbrook, 30 julio 2023

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“Rachel Speirs sang Titania with charisma and authority”

Crítica hecha desde Longborough Festival Opera, Moreton-in-Marsh el 29 julio 2023

Purcell, The Fairy Queen

Longborough Festival Opera

Harry Sever, Dirección

Polly Graham, Dirección de escena

Nate Gibson, Diseño de escena, Diseño de vestuario

Tim Mitchell, Diseño de iluminación

Longborough Festival Opera Orchestra

Longborough Festival Chorus

Naomi Burrell, Violín, Dirección musical

Rachel Speirs, Soprano

Eleanor Broomfield, Soprano

Alys Mererid Roberts, Soprano

Annie Reilly, Mezzosoprano

Angharad Rowlands, Mezzosoprano

Lars Fischer, Tenor

Luke Horner, Tenor

Peter Edge, Bajo

George Robarts, Barítono

Suzie Purkis, Mezzosoprano

Rhydian Jenkins, Tenor

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Longborough Festival Opera, built on Wagnerian foundations, stages the UK premiere of Avner Dorman’s ambitious cautionary tale about the Wagner clan and establishing the composer’s legacy.

***11

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David Karlin, 18th June

Who wouldn't relish the chance of seeing a Ring cycle at close quarters? Longborough's Die Walküre isn't perfect, but it consistently delivers on the story and on character interpretation.

****1

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Roy Westbrook, 11th July

Olivia Fuchs directs Monteverdi's early opera in a sparse staging with a consistently fine cast.

***11

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Roy Westbrook, 29th May

Longborough's Ring Cycle reaches completion in the Cotswold's, effectively staged by Amy Lane.

****1

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An outstanding performance from Rachel Nicholls lights up Carmen Jakobi's compelling production of Korngold's exploration of grief.

****1

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Matthew Rye, 30th May

Longborough Festival Opera’s ongoing Ring cycle returns to its fully staged form with a triumphant new Siegfried.

****1

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.