Últimas críticasVer más...
La fanciulla del West en Múnich: el rédito de la infelicidad
Una ópera escrita rodeado de “tristeza y la mayor infelicidad”, como el propio autor refirió, es difícil que obtenga el prolongado rédito que su factor espera.
Dramatic music-making at its finest as Homoki's Zurich Ring begins
A match made in heaven: director's Homoki's compelling interpretation of Das Rheingold is married to exciting musical direction from Gianandrea Noseda, not to mention the stellar cast of singers.
A brilliant new Salome launches Zurich Opera's season
Andreas Homoki's staging takes full advantage of Hartmut Meyer’s utterly spectacular set, while Elena Stikhina sings the difficult title role to perfection.
Zwischen Gut und Böse: Andreas Homokis Les Contes d'Hoffmann in Zürich
Andreas Homoki schafft mit seiner Neuinszenierung ein psychologisch raffiniert konstruiertes Gesamtkonzept.
Fidelio in Zurich: singing fine, but staging, “Nein!”
In its revival here in Zurich, the soloists and choir of Beethoven's Fidelio give stellar vocal performances. But having done away with any real set, the opera was not without its shortcomings.
Das Münchner Opernstudio lässt in Iolanta die Puppen tanzen
Mit der Kombination aus Tschaikowskys Iolanta und Strawkinskys Marva zu einer Doppeloper gelingt dem Opernstudio ein zauberhaftes Experiment.