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Intérprete: Pavel Černoch

Próximos eventosVer más...

Nueva YorkKatya Kabanova

Janáček: Katya Kabanova
Lothar Koenigs; Sir Jonathan Miller; Metropolitan Opera; Robert Israel; Susanna Phillips; Pavel Černoch

ÁmsterdamRusalkaNew production

Rusalka
Dvořák: Rusalka
Jakub Hrůša; Philipp Stölzl; Dutch National Opera; Heike Vollmer; Anke Winkler; Eleonora Buratto; Brian Jagde

ParísPrince IgorNew production

Borodin: Prince Igor
Philippe Jordan; Barrie Kosky; Opéra national de Paris; Rufus Didwiszus; Klaus Bruns; Ildar Abdrazakov; Elena Stikhina

LeipzigBeethoven 9

Beethoven: Sinfonía núm. 9 en re menor "Coral", Op.125
Gewandhausorchester Leipzig; Daniele Gatti; Olga Peretyatko; Natascha Petrinsky; Pavel Černoch; Matthias Goerne

LeipzigMit Mendelssohn ins Beethoven-Jahr

Mendelssohn, Beethoven
Gewandhausorchester Leipzig; Daniele Gatti; Olga Peretyatko; Natascha Petrinsky; Pavel Černoch; Matthias Goerne
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Antiker Mythos im Vorstadtweiber-Gewand: Médée in Salzburg

Elena Stikhina (Médée) © Salzburger Festspiele | Thomas Aurin

Bei den Salzburger Festspielen überfrachtet Regisseur Simon Stone Luigi Cherubinis Oper mit Regieeinfällen, die zwar schlüssig sind, aber zu oft von der Musik ablenken.

An immersive auto-da-fé: Konwitschny's Don Carlos sizzles

Don Carlos at Staatsoper Hamburg © Brinkhoff/Mögenburg (2008)
From stylised 16th-century dress to a 1970s sitcom ballet, Konwitschny's Staatsoper staging is full of brilliantly inventive touches, splendidly realised in this excellently sung revival. 

Sexe et cruauté à l'Opéra Bastille : Lady Macbeth selon Warlikowski

Lady Macbeth de Mtsensk à l'Opéra Bastille © Bernd Uhlig / Opéra national de Paris
Âmes sensibles s'abstenir ! La nouvelle production de Lady Macbeth de Mtsensk à l'Opéra de Paris, dans la mise en scène de Krzysztof Warlikowski, nous montre l’homme dans toute sa crasse et sa noirceur.

Two great debuts, not enough drama: Katya Kabanova at ROH

Amanda Majeski (Katya) © ROH | Clive Barda
Amanda Majeski is magnificent in the title role; Ed Gardner shows total master of Janáček's music. But that's not enough to rescue a poorly thought out Richard Jones production.

“Soap opera at its best”: Katie Mitchell's Jenůfa

Evelyn Herlitzius (Kostelnička) and Annette Dasch (Jenůfa) © Ruth Walz
Katie Mitchell's second production of Jenůfa is a straightforward, effective reading of the libretto well supported by excellent singing actors.