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Intérprete: Piotr Buszewski

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LondresSir Antonio Pappano: La traviataVersión de concierto

© Mark Allan
Verdi: La traviata
Sir Antonio Pappano; London Symphony Orchestra; London Symphony Chorus; Slávka Zámečníková; Piotr Buszewski

Nueva YorkThe Magic Flute: Holiday Presentation

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Mozart: La flauta mágica (Die Zauberflöte)
Nicholas Carter; Julie Taymor; Metropolitan Opera; Patrick Furrer; George Tsypin; Donald Holder

BerlínLa traviata

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Verdi: La traviata
Giuseppe Mentuccia; Dieter Dorn; Staatsoper Berlin; Joanna Piestrzyńska; Moidele Bickel; Tobias Löffler; Staatskapelle Berlin

Nueva YorkOtello

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Verdi: Otello
Michele Mariotti; Bartlett Sher; Metropolitan Opera; Es Devlin; Catherine Zuber; Donald Holder; The Metropolitan Opera Orchestra
Últimas críticasVer más...

Claus Guth directs a tormented, harrowing new Salome at the Met

Elza van den Heever (Salome) © Evan Zimmerman | Met Opera
Claus Guth's new production at the Metropolitan Opera, originally seen at the Bolshoi in 2021, moves the action from biblical Judea to the era of the opera's composition. 

Superb cast delivers delights in the Met’s family-friendly Magic Flute

Rolando Villazón (Papageno) © Evan Zimmerman | Met Opera
Julie Taymor's whimsical 2004 staging of Mozart's Singspiel continues to please in the Met's condensed, English-language version.

Wenn ein Pferd für Chaos sorgt: Der Florentiner Hut an der Oper Graz

Tetiana Miyus (Elena) © Werner Kmetitsch
Ein aufgefressener Strohhut und die daraus entstehenden Irrungen und Wirrungen sorgen dank spritziger Regie und bestens gelauntem Ensemble für einen unterhaltsamen Abend. 

Mass appeal: Poulenc's Dialogues des Carmélites revived at the Met

Sabine Devieilhe (Sœur Constance) and Ailyn Pérez (Blanche) © Marty Sohl | Met Opera
John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling.

Avec Rusalka, le Capitole plonge dans l'inédit

Rusalka au Théâtre du Capitole © Mirco Magliocca
Dans une nouvelle production qui a également valeur d'entrée au répertoire, l'œuvre de Dvořák bénéficie d'une mise en scène soignée et engagée, et d'interprètes tout aussi remarquables.

Maltman’s Iago the driving force in tepid Otello revival

The Royal Opera's revival of Keith Warner's staging feels underbaked, although interest is largely focused on the pit as the latest contender to take over from Antonio Pappano as Music Director is auditioned.