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Artiste: Piotr Buszewski

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LondresSir Antonio Pappano: La traviataVersion de concert

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Verdi: La Traviata
Sir Antonio Pappano; London Symphony Orchestra; London Symphony Chorus; Slávka Zámečníková; Piotr Buszewski

DresdeIl cappello di paglia di FirenzeNouvelle production

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Rota: Il cappello di paglia di Firenze
Daniele Squeo; Bernd Mottl; Semperoper Dresden; Friedrich Eggert; Alfred Mayerhofer; Staatskapelle Dresden

New YorkThe Magic Flute: Holiday Presentation

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Mozart: La Flûte enchantée (Die Zauberflöte)
Nicholas Carter; Julie Taymor; Metropolitan Opera; Patrick Furrer; George Tsypin; Donald Holder

BerlinLa traviata

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Verdi: La Traviata
Giuseppe Mentuccia; Dieter Dorn; Staatsoper Berlin; Joanna Piestrzyńska; Moidele Bickel; Tobias Löffler; Staatskapelle Berlin

New YorkOtello

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Verdi: Otello
Michele Mariotti; Bartlett Sher; Metropolitan Opera; Es Devlin; Catherine Zuber; Donald Holder; The Metropolitan Opera Orchestra
Critiques récentesEn voir plus...

Avec Rusalka, le Capitole plonge dans l'inédit

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Dans une nouvelle production qui a également valeur d'entrée au répertoire, l'œuvre de Dvořák bénéficie d'une mise en scène soignée et engagée, et d'interprètes tout aussi remarquables.

Claus Guth directs a tormented, harrowing new Salome at the Met

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Claus Guth's new production at the Metropolitan Opera, originally seen at the Bolshoi in 2021, moves the action from biblical Judea to the era of the opera's composition. 

Superb cast delivers delights in the Met’s family-friendly Magic Flute

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Julie Taymor's whimsical 2004 staging of Mozart's Singspiel continues to please in the Met's condensed, English-language version.

Wenn ein Pferd für Chaos sorgt: Der Florentiner Hut an der Oper Graz

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Ein aufgefressener Strohhut und die daraus entstehenden Irrungen und Wirrungen sorgen dank spritziger Regie und bestens gelauntem Ensemble für einen unterhaltsamen Abend. 

Mass appeal: Poulenc's Dialogues des Carmélites revived at the Met

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John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling.

Maltman’s Iago the driving force in tepid Otello revival

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The Royal Opera's revival of Keith Warner's staging feels underbaked, although interest is largely focused on the pit as the latest contender to take over from Antonio Pappano as Music Director is auditioned.