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Intérprete: Randall Scotting

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A streamlined, dramatic Rinaldo from Pinchgut

Jake Arditti (Rinaldo) and Alexandra Oomens (Almirena) © Cassandra Hannagan
Although abbreviated, Pinchgut Opera's production of Handel's Rinaldo makes a powerful dramatic impact and exemplifies high musical values, with excellent orchestral playing and consistently fine singing.

Alcina in Seattle: captivating, flirtatious, sometimes weird

Vanessa Goikoetxea (Alcina) © Sunny Martini
Thoughtful cuts, an extremely skillful orchestra and active, inventive staging made this sexy dark comedy engrossing and highly watchable. 

Beauty and the beast: Sciarrino's Venere e Adone premieres in Hamburg

Layla Claire (Venere) © Brinkhoff | Mögenburg
What does opera in the 21st century look and sound like? Streets removed from anything Mozart, Verdi or Wagner would have recognised. But Salvatore Sciarrino is his own man.

Seattle Opera delivers Dove's Flight with panache

Seattle Opera do full justice to Dove and De Angelis's comic opera with a dark twist, filming it in the city's Museum of Flight.

Odyssey Opera rejuvenates Gluck's Ezio

From a purely chronological standpoint, the original, 1750 version of Gluck’s Ezio is a pre-reform opera. A performance as carefully curated and persuasive as Odyssey Opera’s, however, proves how deceptive chronological classifications can be.

A ravishingly entertaining Semele alights in Seattle

Handel's sensual tragicomedy comes to dazzling life in Seattle Opera's first-ever staging of Semele, a new production directed by Tomer Zvulun.