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Performer: Randall Scotting

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A streamlined, dramatic Rinaldo from Pinchgut

Jake Arditti (Rinaldo) and Alexandra Oomens (Almirena) © Cassandra Hannagan
Although abbreviated, Pinchgut Opera's production of Handel's Rinaldo makes a powerful dramatic impact and exemplifies high musical values, with excellent orchestral playing and consistently fine singing.
****1
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Alcina in Seattle: captivating, flirtatious, sometimes weird

Vanessa Goikoetxea (Alcina) © Sunny Martini
Thoughtful cuts, an extremely skillful orchestra and active, inventive staging made this sexy dark comedy engrossing and highly watchable. 
*****
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Beauty and the beast: Sciarrino's Venere e Adone premieres in Hamburg

Layla Claire (Venere) © Brinkhoff | Mögenburg
What does opera in the 21st century look and sound like? Streets removed from anything Mozart, Verdi or Wagner would have recognised. But Salvatore Sciarrino is his own man.
***11
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Seattle Opera delivers Dove's Flight with panache

Seattle Opera do full justice to Dove and De Angelis's comic opera with a dark twist, filming it in the city's Museum of Flight.
****1
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Odyssey Opera rejuvenates Gluck's Ezio

From a purely chronological standpoint, the original, 1750 version of Gluck’s Ezio is a pre-reform opera. A performance as carefully curated and persuasive as Odyssey Opera’s, however, proves how deceptive chronological classifications can be.
****1
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A ravishingly entertaining Semele alights in Seattle

Handel's sensual tragicomedy comes to dazzling life in Seattle Opera's first-ever staging of Semele, a new production directed by Tomer Zvulun.
****1
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