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The Royal Academy's Carmen has too many what-if moments

Fionn Ó hAlmhain (Zuniga) and Zixin Tang (Carmen) © Craig Fuller
Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing. 

Royal Academy Opera stages a magical Zauberflöte

Binny Supin Yang (Queen of the Night) © Craig Fuller
A lyrical yet zesty account of Mozart's' adorable score, in a production that is on the nose and off the wall. 

A dystopian Hansel und Gretel at the RAM

Anna-Helena Maclachlan (Hansel) and Binny Supin Yang (Gretel) © Craig Fuller
Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera. 

Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Royal Academy Opera company in Martinů’s Alexandre bis (1937) © Craig Fuller
With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

Unreal city: The Rake's Progress at the Royal Academy of Music

The Rake's Progress © Craig Fuller
Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung. 

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.