Royal Academy Opera stages a magical Zauberflöte

Binny Supin Yang (Queen of the Night)

Daniel Vening (Sarastro)

Conrad Chatterton (Papageno)

Zahid Siddiqui (Tamino) and Grace Hope-Gill (Pamina)

Por Mark Valencia, 19 marzo 2025

Descargando, espere, por favor...

Ver la programación

“every note was a jewel, every giddy peak of her coloratura a glittering diamond”

Crítica hecha desde Royal Academy of Music: Susie Sainsbury Theatre, Londres el 18 marzo 2025

Mozart, La flauta mágica (Die Zauberflöte)

Royal Academy Opera

Olivia Clarke, Dirección

Jamie Manton, Dirección de escena

Justin Nardella, Diseño de escena, Diseño de vestuario

Charlie Morgan Jones, Diseño de iluminación

Royal Academy of Music Symphony Orchestra

Zahid Siddiqui, Tamino

Conrad Chatterton, Papageno

Grace Hope-Gill, Pamina

Binny Supin Yang, Queen of the Night

Daniel Vening, Sarastro

Erin O'Rourke, First Lady

Charlotte Clapperton, Second Lady

Anna-Helena Maclachlan, Third Lady

Llinos Haf Jones, Papagena

Owen Lucas, First Armoured Man, Monostatos

Theodore McAlindon, Second Armoured Man, The Speaker (Der Sprecher)

Hailey West, First Boy

Anna Lluna, Second Boy

Núria Prats Illanas, Third Boy

George Reynolds, First Priest

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11

A dystopian Hansel und Gretel at the RAM

Mark Valencia, 20th November

Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera.

***11

Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Dominic Lowe, 8th May

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

***11

Unreal city: The Rake's Progress at the Royal Academy of Music

Benjamin Poore, 22nd November

Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.

****1

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Rainer Zerbst, 27th May

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.

***11

Emotion and mayhem: a golden double bill from Royal Academy Opera

Stephen Pritchard, 18th March

Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.

****1

Más críticas...

Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.