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Performer: Stephen Costello

Veranstaltungstippsmehr...

StrasbourgRusalka

Rusalka
Dvořák: Rusalka
Antony Hermus; Nicola Raab; Opéra National du Rhin; Julia Müer; Raphaela Rose; Pumeza Matshikiza; Stephen Costello

MulhouseRusalka

Rusalka
Dvořák: Rusalka
Antony Hermus; Nicola Raab; Opéra National du Rhin; Julia Müer; Raphaela Rose; Pumeza Matshikiza; Stephen Costello

New York CityMaria Stuarda

Donizetti: Maria Stuarda
Maurizio Benini; Sir David McVicar; Metropolitan Opera; John Macfarlane; Diana Damrau; Jamie Barton

BregenzRigoletto

Verdi: Rigoletto
Enrique Mazzola; Philipp Stölzl; Kathi Maurer; Scott Hendricks; Vladimir Stoyanov

DresdenLa bohème

Puccini: La bohème
Daniele Callegari; Christine Mielitz; Sächsische Staatsoper Dresden; Pietro Rizzo; Antonino Fogliani; Peter Heilein
Neue Kritikenmehr...

Crisper, tighter, more relevant: Alden's Rigoletto at the COC

Roland Wood (Rigoletto) © Michael Cooper
Christopher Alden’s production of Verdi’s Rigoletto returned to Toronto tighter, more focussed and with fewer dramatic incongruities. Add to this that every aspect of the music making was top notch and it made for a fine evening at the theatre.
****1
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La bohème en el Real, o las bambalinas del verismo

© Javier del Real
Los figurines y la escenografía austera de Stewart Laing se contrastan con el ensueño, resuelto de forma notable por Stephen Costello en una maravillosa Che gelida manina, y la réplica, ascendente pero no menos cautivadora, de Anita Hartig
****1
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Die Lustige Witwe à l’Opéra de Paris : une fête en demi-teinte

© Guergana Damianova | OnP
Malgré quelques imperfections, cette Veuve Joyeuse mérite qu’on s’y intéresse, ne serait-ce que pour la joie qu’elle distille en cette rentrée plutôt morose.
***11
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Met hits the jackpot with revival of its Vegas Rigoletto

Stephen Costello (The Duke of Mantua) © Marty Sohl | Metropolitan Opera
The gambling tables and neon lights of Las Vegas might not be the images which immediately enter your head when you think of Verdi’s Rigoletto, but bold art is often created and progressed by the pushing of boundaries and by challenging audiences to reimagine the familiar.
****1
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One eye wet and the other dry

Renée Fleming and Susan Graham © Winslow Townson
It would be no exaggeration to say Franz Hawlata stole the show, an act of grand larceny made all the more remarkable by the strong cast which shared the stage.
*****
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