Guillem and Maliphant's Push

Por Shelley Pinto-Duschinsky, 30 julio 2014

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“The design in the first sculptural segment brought to mind Michelangelo's Pieta”

Crítica hecha desde The London Coliseum, Londres el 29 julio 2014

Twilight (Russell Maliphant)

Maliphant’s Landscapes: three solos, three outstanding dancers

Graham Watts, 11th March

Some of Russell Maliphant's best known, most enduring and loved works in an evening of unforgettable performances.

****1

Carlos Acosta: On Before inspires rapturous standing ovations

Kathy Elgin, 16th February

Carlos Acosta can still draw in the crowds and this carefully chosen programme is well worth watching.

***11

BalletBoyz: England on Fire never fully ignites

Deborah Weiss, 8th November

Tremendous effort from all concerned and sparks did fly, but they didn't quite burn brightly enough.

***11

Russell Maliphant Dance Company: shapes of freedom in Vortex

Graham Watts, 3rd May

Vortex is the latest in Maliphant’s ongoing explorations into the rich performance potential that can be mined from blending many artistic elements.

****1

Acosta Danza thrills Madrid in “Evolution”

Cristina de Lucas, 22nd October

The spirit of Cuba visits Madrid as Carlos Acosta's dance troupe performs a mixed at the Teatro Real, including Sidi Larbi Cherkaoui's Mermaid.

****1

Live dance returns to London: ENB's Reunion

Graham Watts, 26th May

The ENB translates its digital films made during the pandemic into an evening of a live performance.

***11

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Shelley Pinto-Duschinsky

Shelley studied ballet from childhood and later developed her technique in contemporary dance, having studied with a Hanya Holm protege and with Jose Limon .Shelley also studied choreography with Bessie Schonberg. Her blog, 50yearsindance recalls famous teachers and performances in many forms of dance.

Guillem and Maliphant in Push: a performance worthy of the history books