Arthur Pita's Little Match Girl

Por Margaret Willis, 17 diciembre 2014

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“The production left its mark on each of the audience members.”

Crítica hecha desde Sadler's Wells: Lilian Baylis Studio, Londres el 13 diciembre 2014

The Little Match Girl (Arthur Pita)

Next Generation Festival: Rambert School impresses throughout

Graham Watts, 1st July

A show where the whole School was the star.

****1

English National Ballet School embraces the unconventional

Deborah Weiss, 19th June

English National Ballet School Professional Trainees show great versatility in their final performance of the year, with a highly entertaining mixed programme.

****1

Pita’s disturbing take on Hans Christian Andersen’s grim fairy-tale

Sarah Kirkup, 20th June

Natalia Osipova and Jonathan Goddard excel in the gothic drama of Pita’s storytelling – but is it all just a bit too gory?

***11

Iolanta / Casse-Noisette ressuscités avec génie par Tcherniakov

Laurine Mortha, 13th May

L’opéra Iolanta et le ballet Casse-Noisette sont réunis dans une co-création d’envergure qui rassemble les talents du scénographe Dmitri Tcherniakov et des chorégraphes Sidi Larbi Cherkaoui, Edouard Lock et Arthur Pita.

*****

ABT's Whiteside and Trenary star in Pita's The Tenant at The Joyce

Andrew Blackmore-Dobbyn, 10th November

The single best thing about The Tenant was Frank Moon’s score, played by Moon himself on the piano, violin, and singing.

***11

Ballet Black: a contrasting bill of Shakespearian envy and whimsy

Kirsty Morgan, 8th June

Ballet Black delights the Glasgow Tramway with a contrasting double-bill of Shakespearian envy and whimsy.

****1

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Margaret Willis

Margaret studied ballet in Moscow for five years and later was a member of London City Ballet. A reviewer since 1978 for many newspapers and magazines including Dancing Times and Dance Magazine, Margaret is a specialist on Russian Ballet, and has written books on Russian Ballet and Carlos Acosta.

Arthur Pita's Little Match Girl lights up the Lilian Baylis