Pharaonic spectacle: Aida in Moravia

Por John Johnston, 11 abril 2017

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“it soon became clear that the tragic pair would not go gently into the night”

Crítica hecha desde Janáček Theatre (Janáčkovo divadlo), Brno el 10 abril 2017

Verdi, Aida

Janáček Opera NTB

Jaroslav Kyzlink, Dirección

Václav Věžník, Dirección de escena

Vladimír Soukenka, Diseño de escena

Josef Jelínek, Diseño de vestuario

Veronika Hajnová, Amneris

Rafael Alvarez, Radamès

Richard Haan, Amonasro

Anda-Louise Bogza, Aida

Jiří Sulženko, Ramfis

Jan Šťáva, King of Egypt

Eternal life for the downtrodden? A Janáček double bill in Brno

Gianmarco Segato, 6th November

Jakub Hrůša leads a musically thrilling but dramatically problematic From the House of the Dead and Glagolitic Mass at the 2022 Janáček Brno International Festival.

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Miraculous Makropulos Case debuts in Asia

Carla Escoda, 25th February

National Theatre Brno brings David Radok’s 2014 staging of Janáček’s Makropulos Case to the Hong Kong Arts Festival, the opera's first-ever journey to Asia, with Annalena Persson in the lead.

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Jenůfa breaks hearts in Brno

David Karlin, 18th October

In Brno, Janáček's home, at the theatre and festival that bear his name, Jenůfa receives a performance with all the musical and dramatic intensity you might wish for.

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Meritoria versión de concierto del Barbero de Paisiello en Granada

Aaron Vincent, 8th May

La recuperación de Il barbiere di Siviglia de Paisiello en Granada marca un hito de la presente temporada lírica en España.

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Una Bohème muy teatral abre la temporada del Municipal de Santiago

Pedro Carcey, 7th May

Con una flamante Mimì de Yaritza Véliz, se inicia la temporada de ópera en el Municipal de Santiago. La producción se erige como una revisión innovadora tan teatral como musical.

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Anduaga consuma un Werther de brillantez técnica y lírica en el Liceu

Maria Sánchez, 4th May

Idealización de tonalidades luminosas y pulso musical en las líneas románticas de Massenet, capitaneadas por el estreno de Xabier Anduaga en el papel del joven protagonista.

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John Johnston

John Johnston was a contributor to Bachtrack 2017-19. John was a true gentleman and lifelong opera "nut" who frequently travelled across Europe to catch performances, making regular pilgrimages to the Bayreuth Festival among others. His supreme knowledge and appreciation of voices meant he took to reviewing like the proverbial duck to water. We enjoyed his style and his insatiable appetite for catching rare operas and new productions wherever he could.