Royal Opera's Aida shines a spotlight on the modern military state

Angel Blue (Aida)

SeokJong Baek (Radamès) and Angel Blue (Aida)

Soloman Howard (Ramfis) and Elīna Garanča (Amneris)

Angel Blue (Aida) and Elīna Garanča (Amneris)

Aida, Act 2 finale

Por Nick Boston, 08 mayo 2023

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“it was surely Elīna Garanča who stole the show as Amneris”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 5 mayo 2023

Verdi, Aida

The Royal Opera

Sir Mark Elder, Dirección

Robert Carsen, Dirección de escena, Diseño de iluminación

Miriam Buether, Diseño de escena

Annemarie Woods, Diseño de vestuario

Orchestra of the Royal Opera House Covent Garden

Royal Opera Chorus

Peter van Praet, Diseño de iluminación

Angel Blue, Aida

Elīna Garanča, Amneris

SeokJong Baek, Radamès

Ludovic Tézier, Amonasro

Soloman Howard, Ramfis

James Platt, King of Egypt

Rebecca Howell, Coreografía

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Nick Boston

Nick has an MA in Music, specialising in performance and repertoire. His particular passions are choral music, chamber music and opera, with a particular interest in early music. He sings in a number of choirs in the south east of England, plays the piano and occasionally dusts off the violin. He writes about music here.

Robert Carsen's Royal Opera Aida shines a spotlight on the modern military state