Graffiti meets Nefertiti: Aida in Washington DC

Por Hilary Stroh, 11 septiembre 2017

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“Semenchuk was a powerfully malicious presence at first, and by the end, a tragic one”

Crítica hecha desde Kennedy Center: Opera House, Washington el 9 septiembre 2017

Verdi, Aida

Washington National Opera

Evan Rogister, Dirección

Francesca Zambello, Dirección de escena

Marquis Duriel Lewis (aka RETNA), Diseño de escena, Diseño de vestuario

Ekaterina Semenchuk, Amneris

Yonghoon Lee, Radamès

Gordon Hawkins, Amonasro

Tamara Wilson, Aida

Soloman Howard, King of Egypt

Morris Robinson, Ramfis

Washington National Opera Orchestra

Washington National Opera Chorus

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****1

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****1

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***11

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The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

***11

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A strong new Traviata from Washington National Opera with the welcome house debut of Venera Gimadieva as a fabulous Violetta.

****1

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Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.