Crystal Pite's Angels’ Atlas triumphs in Zurich

Por Sarah Batschelet, 03 octubre 2021

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“an uplifting sense of the celestial”

Crítica hecha desde Opernhaus, Zürich el 1 octubre 2021

Emergence (Crystal Pite)

Almost Blue (Marco Goecke)

Angels’ Atlas (Crystal Pite)

Ballett Zürich

Jay Gower Taylor, Diseño de escena

Linda Chow, Diseño de vestuario

Alan Brodie, Diseño de iluminación

Thomas Mika, Diseño de escena, Diseño de vestuario

Udo Haberland, Diseño de iluminación

Nancy Bryant, Diseño de vestuario

Tom Visser, Diseño de iluminación

Ballett Zürich Junior Company

English National Ballet’s Body and Soul: a very mixed bag

Deborah Weiss, 19th March

English National Ballet presents a double bill of contrasts at Sadler’s Wells with startlingly mixed results, not all positive.

***11

Strength to strength: NDT 1’s Resonance feels like a victory lap

Mark Vicente, 10th December

A triumphant evening showcasing the breadth and depth of NDT’s artistic intellect, and their dazzling versatility across various choreographic landscapes.

*****

NDT1 in Figures in Extinction: cerebral and physical excellence

Deborah Weiss, 5th November

An extraordinary evening of dance theatre of the highest quality, Figures in Extinction for Nederlands Dans Theater 1 is a thought provoking experience worth repeating.

*****

Le NDT 1 triomphe dans Figures in Extinction au Théâtre de la Ville

Iris Régnier, 22nd October

Fruit d'un travail entre la chorégraphe canadienne Crystal Pite et le metteur en scène britannique Simon McBurney, Figures in Extinction est un succès incontestable, porté par une compagnie au sommet de son art.

*****

Figures in Extinction: a thrilling evening with NDT 1

Kathy Elgin, 22nd August

An evening focused on the separation of humanity from the natural world and the destruction of that world, either because of ignorance, greed or just not caring.

*****

Shadows and light: Ballet BC

Zoë Anderson, 20th May

Ballet BC’s double bill puts Crystal Pite’s marvellous, shadowy Frontier in conversation with the folk-tinged comedy of Johan Inger’s Passing.

****1

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Sarah Batschelet

Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.