Opera inside out: Ariadne auf Naxos

Por Matthew Rye, 04 marzo 2017

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“Babajanyan’s Prima Donna was a regal Ariadne with a real sense of phrasing and dynamic shape”

Crítica hecha desde Opernhaus, Düsseldorf el 3 marzo 2017

Strauss R., Ariadne auf Naxos

Deutsche Oper am Rhein

Axel Kober, Dirección

Wen-pin Chien, Dirección

Dietrich Hilsdorf, Dirección de escena

Dieter Richter, Diseño de escena

Renate Schmitzer, Diseño de vestuario

Karine Babajanyan, The Primadonna (Ariadne)

Linda Watson, The Primadonna (Ariadne)

Elena Sancho Pereg, Zerbinetta

Heidi Elisabeth Meier, Zerbinetta

Gloria Rehm, Zerbinetta

Katarzyna Kuncio, Composer

Corby Welch, The Tenor (Bacchus)

Eva Bodorová, Echo

Adela Zaharia, Naiad

Stine Marie Fischer, Dryad

Cornel Frey, Brighella

Jonas Gudmundsson, Brighella

Florian Simson, Dancing Master

Bryan López Gonzáles, Officer

Bruce Rankin, Scaramuccio

Dmitri Vargin, Harlequin

Bogdan Baciu, Harlequin

Stefan Heidemann, Music Master

Lukasz Konieczny, Lackey, Truffaldino

Beniamin Pop, Lackey

Bogdan Taloș, Truffaldino

Peter Nikolaus Kante, The Major-Domo

Volker Weinhart, Diseño de iluminación

Bernhard F. Loges, Dramaturgia

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****1

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****1

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****1

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***11

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Matthew Rye

Matthew read music at Oxford and worked in music journalism for 30 years as a writer, critic and editor. He wrote numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad. He also wrote for The Wagner Journal and Opera and blogged at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and was the author of a new series of eBooks, Masterpieces of Music (Erudition).

Opera inside out: Ariadne auf Naxos in Düsseldorf