Aurora Orchestra/ Collon/ Joshua

Por Sebastian Scotney, 10 marzo 2011

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Crítica hecha desde Kings Place: Hall One, Londres el 9 marzo 2011

Mozart, Las bodas de Fígaro (Le nozze di Figaro), K492: obertura

Mozart, Scena for Soprano, "Bella mia fiamma", K528

Mozart, Sinfonía núm. 27 en sol mayor, 27, K199 (K161b)

Mozart, Adagio y fuga para cuerdas en do menor, K546

Mozart, Scena and Rondo for Soprano, "Non piú, tutti ascoltai", K490

Mozart, Sinfonía núm. 31 en re mayor, "París", K297 (K300a)

Aurora Orchestra

Rosemary Joshua, Soprano

Nicholas Collon, Dirección

Echoes of Youth from the Aurora principals at Kings Place

Mark Valencia, 19th March

Billed under the heading ‘Echoes of Youth’, this Kings Place programme is an attractive ragbag of unlikely bedfellows.

****1

Brett Dean and Lotte Betts-Dean unlock musical memories at Kings Place

Eleanor Knight, 17th January

Father and daughter team of Brett Dean and Lotte Betts-Dean join forces for the opening concert of Kings Place’s ‘Memory Unwrapped’ season.

****1

Aurora dazzle in Edinburgh International Festival debut

Simon Thompson, 18th August

Aurora Orchestra turn Shostakovich's Fifth Symphony inside out to exhilarating effect in a dazzling performance in their Scottish debut. Abel Selaocoe’s Four Spirits, on the other hand, has surface shine but not much substance.

****1

Aurora Orchestra pulls off another dramatic performance from memory

Nick Boston, 17th August

Nicholas Collon and the Aurora Orchestra, together with Frantic Assembly, present an illuminating analysis of Shostakovich's Fifth Symphony, followed by a blistering account of the work from memory.

****1

“Earth Unwrapped” reveals mixed bag: Aurora Orchestra and BBC Singers

Eleanor Knight, 31st January

The exquisite ensemble of Aurora and BBC Singers in the intimate setting of Kings Place are reason enough to linger longer on earth.

***11

Overtaken by the night: Aurora and Donald Grant get lost on the road

Christopher Woodley, 28th September

At Kings Place Aurora Orchestra and Donald Grant fail to impress with a straggling programme of traditional arrangements, composed pieces and a world premiere.

**111

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Sebastian Scotney

Sebastian has written about music for the Daily Telegraph, Prospect, Arts Industry and the Bulletin in Brussels. He has been a professor at the Royal College of Music and has recorded a CD of the Mozart clarinet quintet with the Maggini Quartet.