Barbara Hannigan sings and conducts with ensemble Ludwig

Por Rosemary Carlton-Willis, 07 abril 2014

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Crítica hecha desde Concertgebouw: Main Hall, Ámsterdam el 5 abril 2014

Nono, Canti di vita e d'amore (Djamila Boupachà)

Haydn, Sinfonía núm. 49 en fa menor "La Pasión"

Stravinsky, The Rake's Progress: No word from Tom... I go to him

Mozart, Aria for Soprano, "Vado, ma dove? -- oh Dei!", K583

Mozart, Aria for Soprano, "Un moto di gioia mi sento", K579

Mozart, Recitative and Aria for Soprano, "Misera, dove son!", K369

Stravinsky, Danses Concertantes

Ludwig Ensemble

Barbara Hannigan, Soprano, Dirección

Han Kang’s The White Book takes on a compelling new life

Peter Quantrill, 5th March

At the Barbican, Laura Bowler's new work for Barbara Hannigan translates Han Kang's novel into a soundscape of icy stillness

****1

Barbara Hannigan surveys American voices with The Cleveland Orchestra

Sam Jacobson, 14th February

Works by Crumb, Ruggles, Barber and Gershwin offer four distinct ideas of what American music can sound like in Barbara Hannigan’s explorative Cleveland Orchestra program.

***11

Barbara Hannigan conducts the Royal Concertgebouw

Clare Varney, 2nd October

The Royal Concertgebouw Orchestra puts Persian music centre stage with the Dutch premiere of Tehran-based composer Golfam Khayam's I am a tale not to be told.

*****

Le théâtre liturgique de Castellucci à la cathédrale de Genève

Romain Daroles, 10th May

Tissant un passionnant fil rouge entre des pièces de Scelsi et le Stabat Mater de Pergolèse, Castellucci recompose un livre d’images et de musique grâce à des tableaux vivants saisissants.

****1

La prodigieuse Voix humaine de Barbara Hannigan avec le Philhar'

Jean-Pierre Rousseau, 3rd April

Dans la tragédie lyrique de Poulenc, la soprano et cheffe subjugue, parvenant à tirer de l'orchestre un son luxuriant tout en incarnant à la perfection l'universalité de la souffrance amoureuse.

****1

Entre éclat et résonance : Simon Rattle et le LSO

Chloë Rouge, 13th January

Sous la baguette d'un chef attentif aux équilibres et aux transitions, l'orchestre londonien brille et passe de Boulez à Benjamin puis Brahms en toute souplesse.

****1

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Rosemary Carlton-Willis

Rosemary Carlton-Willis is a soprano based in the Netherlands. She has one masters degree in Music (Historical Performance) from the University of York, and a second in Singing from the Conservatorium van Amsterdam, where she studied in both the Classical and Early Music departments. She has worked for the York Early Music Festival, the National Centre for Early Music and the Sir Jack Lyons Concert Hall.