An underwhelming Barber in Oslo

Por Aksel Tollåli, 17 octubre 2017

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Crítica hecha desde Oslo Opera House, Main Stage, Oslo el 14 octubre 2017

Rossini, Il barbiere di Siviglia

Norwegian National Opera

Manlio Benzi, Dirección

Francois de Carpentries, Dirección de escena

Karine van Hercke, Diseño de escena, Diseño de vestuario

Joshua Hopkins, Figaro

Samantha Hankey, Rosina

Levy Sekgapane, Count Almaviva

Luciano di Pasquale, Dr Bartolo

Caroline Wettergreen, Berta

Jens-Erik Aasbø, Don Basilio

Hilde Andersen, Director de reposición

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A dramatic staging of two Greek myths, Wayne McGregor’s Jocasta’s Line is an epic production for Norwegian National Opera and Ballet, a truly modern and totally original work.

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Aksel Tollåli, 15th February

Chrisoph Loy's new Oslo production of Eugene Onegin only somewhat succeeds in its desire to create a meditation on loneliness, but superb musical performances still make it an utterly compelling piece of music theatre.

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Aksel Tollåli, 29th May

Despite some dramatic frustrations, at least in Oslo, Jones' production is saved by some truly outstanding singing.

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Aksel Tollåli, 20th January

The first staging of Bellini's Norma in Oslo in over a century is unfortunately hampered by an irritating production, yet some glorious singing does much to rescue the show.

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Aksel Tollåli, 25th November

Christoph Loy's Oslo production of Wozzeck is a dramatic triumph, with gripping performances from a cast led by Audun Iversen's desperate title character.

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Aksel Tollåli, 11th June

Calixto Bieito's Tosca, despite an intriguingly modern setting, fails to make sparks fly.

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Aksel Tollåli

Aksel is currently studying towards a degree in musicology at the University of Oslo. At the moment he is an exchange student at Goldsmiths College in London. He is also a choral singer and a trombonist. His musical interests include 20th-cenury French music, Baroque opera and the music of Richard Strauss.