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CO₂ at La Scala: a challenging truth by Giorgio Battistelli

Por James Imam, 25 mayo 2015
Descargando, espere, por favor...
Ver la programación
“Our heads were sent spinning through the sheer disconnected breadth and volume of the material”
Crítica hecha desde Teatro alla Scala, Milán el 22 mayo 2015
Programa
Battistelli, CO2 (World première, commissioned by Teatro alla Scala)
Intérpretes
Teatro alla Scala
Cornelius Meister, Dirección
Robert Carsen, Dirección de escena
Petra Reinhardt, Diseño de vestuario
Paul Steinberg, Diseño de escena
Pumeza Matshikiza, Eve
Anthony Michaels-Moore, David Adamson
David DQ Lee, Serpent
Orla Boylan, Archangel Gabriel, Mrs Mason
Jennifer Johnston, Gaia
Ta'u Pupu'a, Mr. Changtalay
Alessandro Spina, Archangel Michael
Alain Coulombe, Archangel Uriel
Orchestra del Teatro alla Scala
Más críticas de Ópera
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

****1
The Ring returns to the Rhine: Götterdämmerung at La Scala
Laura Servidei, 1st February
Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.
*****
Shostakovitch’s Lady Macbeth conquers La Scala on opening night
Laura Servidei, 7th December

Shostakovich's brutal tale of sex, murder and madness storms La Scala's opening night, with Riccardo Chailly leading his final season premiere as Music Director. 

****1
The game of love: Robert Carsen’s new Così fan tutte at La Scala
Laura Servidei, 8th November

Alexander Soddy leads a great cast in a clever, supremely entertaining new production in Milan.

****1
Pelly’s iconic Fille du régiment retains its charm at La Scala
Laura Servidei, 17th October

Julie Fuchs and Juan Diego Flórez give life to the refreshing and funny take of Laurent Pelly’s classic production, under the baton of Evelino Pidò. 

****1
Martone's modern Rigoletto returns with power and flaws to La Scala
Laura Servidei, 10th October

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing. 

***11
Más críticas...
Leer críticas de
Alain CoulombeAlessandro SpinaAnthony Michaels-MooreCornelius MeisterDavid DQ LeeGiorgio BattistelliJennifer JohnstonOrchestra del Teatro alla ScalaOrla BoylanPaul SteinbergPetra ReinhardtPumeza MatshikizaRobert CarsenTeatro alla Scala
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James Imam
James Imam
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.