Romeo and Juliet but not as we know it

Por Philippa Newis, 01 marzo 2018

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“Staying with me is Duke's consummate ability to... convey human ambiguities with a pinpoint accuracy”

Crítica hecha desde The Place, Londres el 27 febrero 2018

Juliet and Romeo - A Guide to London Life and Happy Marriage (Ben Duke)

Lost Dog

Solène Weinachter, Bailarín

Lost Dog in Ben Duke’s Ruination: essential viewing

Amanda Jennings, 4th December

Exceptional, witty performances combined with superb choreography and script make Ben Duke's take on the Medea myth unmissable.

****1

Rambert: Death Trap, contemporary dance theatre rarely done so well

Graham Watts, 22nd November

This all-Duke programme punctuates choreography with comedy, which in turn merges with pathos.

***11

A diverse and entertaining triple bill from Rambert

Graham Watts, 18th May

Rambert presents an excellent cohort of expressive dancers, but the programme lacked an overall wow factor.

***11

Goat au Théâtre des Abbesses : le sacre du bouc émissaire

Iris Régnier, 16th April

Ben Duke a créé ce spectacle en partant de musiques de Nina Simone mais aussi de la lutte politique et sociale qu’elle incarnait. Il explore ici particulièrement la figure du bouc-émissaire, scapegoat.

****1

Lost Dog's alternative Juliet & Romeo

Audrey Lemarchand, 13th April

Clever in its concept, witty in its development, precise in its interpretation, refreshingly universal and accessible.

*****

Igor & Moreno / Ben Duke

Julie Jozwiak, 4th March

Le Théâtre des Abbesses accueille Igor and Moreno et Ben Duke dans un programme alliant humour et provocation insolites.

****1

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Philippa Newis

Philippa Newis has a Masters degree in Dance. She works as a conciliator specialising in industrial relations. She is passionate about increasing participation in dance and has a strong interest in writing about emerging dance artists and choreographers.

Lost Dog: Romeo and Juliet but not as we know it