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Desire, deception, and death: Birtwistle's The Corridor and The Cure opens the Aldeburgh Festival

Por Charlotte Valori, 17 junio 2015
Descargando, espere, por favor...
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“The anger Harsent finds in both characters is fascinating”
Crítica hecha desde Britten Studio, Snape el 14 junio 2015
Programa
Birtwistle, The Corridor
Birtwistle, The Cure
Intérpretes
Geoffrey Paterson, Dirección
Elizabeth Atherton, Soprano
Mark Padmore, Tenor
Martin Duncan, Dirección musical
London Sinfonietta
Más críticas de Ópera
Beautiful Sing, but no Spiel: an unusual Munich Entführung
Laura Servidei, 12th June

Ivor Bolton leads the Bayerische Staatsorchester in a delightful musical rendition of Mozart’s masterpiece, with a great performance by Pavol Breslik as Belmonte.

***11
Clown court: Offenbach's Fantasio at Garsington
Matthew Rye, 14th June

The UK stage debut of Offenbach’s neglected Fantasio reveals a musical sizzler, but directorially it needs a more sympathetic touch than Garsington musters.

***11
A superbly entertaining Kiss Me, Kate at the Theater Bonn
Cristina Burack, 10th November
Theater Bonn successfully tackles Kiss Me, Kate in an appropriately light production.
****1
Prom 57: On the Town
Sebastian Scotney, 25th August
John Wilson was constantly persuading the orchestra to dig deep and to unearth the riches and miracles in the orchestral writing.
****1
Dove's Flight takes off superbly
Mark Pullinger, 12th March
Dove's infectious score nods to Copland, Bernstein and Britten and its tongue-twisting ensembles and high-wire vocal writing were wonderfully performed. 
*****
Personenregie perfection: Garsington's Turco in Italia
David Karlin, 26th June
Garsington's latest Rossini buffa is on the nail orchestrally, mixed vocally and one of the best pieces of acting and stage movement you'll see in opera.
****1
Más críticas...
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Elizabeth AthertonGeoffrey PatersonLondon SinfoniettaMark PadmoreMartin DuncanSir Harrison Birtwistle
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Charlotte Valori
Charlotte Valori
Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.