Royal Opera Carmen: slicker, but still a mountain to climb

Por Stephen Pritchard, 01 diciembre 2018

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“a sort of Bob Fosse meets vaudeville style”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 30 noviembre 2018

Bizet, Carmen

The Royal Opera

Keri-Lynn Wilson, Dirección

Barrie Kosky, Dirección de escena

Katrin Lea Tag, Diseño de escena, Diseño de vestuario

Gaëlle Arquez, Carmen

Brian Jagde, Don José

Alexander Vinogradov, Escamillo

Eleonora Buratto, Micaëla

Jean Teitgen, Zuniga

Dominic Sedgwick, Moralès

Haegee Lee, Frasquita

Aigul Akhmetshina, Mercédès

Germán Enrique Alcántara, Le Dancaïre

François Piolino, Le Remendado

Otto Pichler, Coreografía

Royal Opera Chorus

Orchestra of the Royal Opera House Covent Garden

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.