Red dresses and a green balloon: Carmen in Philadelphia

Por Hilary Stroh, 28 abril 2018

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“Wasn’t it Virginia Woolf who talked about “frock consciousness”?”

Crítica hecha desde Academy of Music, Philadelphia el 27 abril 2018

Bizet, Carmen

Opera Philadelphia

Yves Abel, Dirección

Paul Curran, Dirección de escena

Gary McCann, Diseño de escena, Diseño de vestuario

Daniela Mack, Carmen

Evan LeRoy Johnson, Don José

Adrian Timpau, Escamillo

Kirsten MacKinnon, Micaëla

Musa Ngqungwana, Zuniga

Johnathan McCullough, Moralès

Emily Pogorelc, Frasquita

Anastasiia Sidorova, Mercédès

Dogukan Kuran, Le Dancaïre

Daniel Taylor, Le Remendado

A sorta fairy tale: Sleepers Awake premieres at Opera Philadelphia

Cameron Kelsall, 22nd April

A new opera by Gregory Spears subverts the Sleeping Beauty trope, with middling results.

**111

Opera by committee: Opera Philadelphia premieres Complications in Sue

Cameron Kelsall, 4th February

Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.

****1

A didactic Decameron: The Seasons at Opera Philadelphia

Cameron Kelsall, 20th December

Conceived by Anthony Roth Costanzo and Sarah Ruhl, this high-handed pasticcio sets the climate crisis to a soundtrack of Vivaldi.

***11

A long, strange trip: Opera Philadelphia’s Il viaggio a Reims

Cameron Kelsall, 19th September

The intrepid company brings Damiano Michieletto’s well-traveled production of a Rossini rarity to the US for the first time.

***11

The Listeners: daring psychological thriller at Opera Philadelphia

Cameron Kelsall, 25th September

The new opera by Missy Mazzoli and Royce Vavrek draws on cult mindsets and conspiracy theories but smartly avoids sensationalism.

****1

Opera Philadelphia's Unholy Wars creates a dialogue with Monteverdi

Cameron Kelsall, 23rd September

Arab-American tenor Karim Sulayman devises a thoughtful pastiche that centers the perspective omitted from Early Modern depictions of the Middle East in music.

****1

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Hilary Stroh

Hilary is an independent scholar and academic historian, based in DC. She has a background in violin, piano and ballet. Educated at Dublin and Cambridge, she has recently published her first two books.

Billboards, red dresses and a green balloon: Carmen in Philadelphia