Die Zauberflöte at the Royal Academy Opera

Por Capriccio, 14 marzo 2012

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Crítica hecha desde Royal Academy of Music: Sir Jack Lyons Theatre, Londres el 12 marzo 2012

Mozart, La flauta mágica (Die Zauberflöte)

Royal Academy Opera

Royal Academy of Music Sinfonia

Dame Jane Glover, Dirección

Stephen Barlow, Dirección de escena

Yannis Thavoris, Diseño de escena

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11

Royal Academy Opera stages a magical Zauberflöte

Mark Valencia, 18th March

A lyrical yet zesty account of Mozart's' adorable score, in a production that is on the nose and off the wall.

****1

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Mark Valencia, 20th November

Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera.

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Dominic Lowe, 8th May

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

***11

Unreal city: The Rake's Progress at the Royal Academy of Music

Benjamin Poore, 22nd November

Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.

****1

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Rainer Zerbst, 27th May

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.

***11

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Capriccio

Capriccio is a musician and writer living in London. He has a particular interest in opera and music of the twentieth century and enjoys exploring the obscurer recesses of the repertoire. He blogs here.