The Eifman Ballet of St. Petersburg presents Rodin

Por Stephanie Sirabian, 13 marzo 2012

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Crítica hecha desde New York City Center, Nueva York el 9 marzo 2012

Rodin (U.S. Premiere) (Boris Eifman)

Boris Eifman Ballet

Oleg Gabyshev, Bailarín

Lyubov Andreyeva, Bailarín

Yulia Manjeles, Bailarín

From rags to riches through feathers and glitters

Katja Vaghi, 17th October

The myth of Pygmalion and Galatea brings us back to the very start of the ballet tradition with Jean-Philippe Rameau’s one act opera-ballet of 1748.

*****

Eifman Ballet in a strangely psychological Pygmalion Effect

Jaime Robles, 31st May

Eifman has said he wants move dance back into theater and to use movement to explore the psychological. Both of these the company accomplishes.

***11

Giselle at the time of Communism: Boris Eifman’s Red Giselle

Katja Vaghi, 15th June

Opening this short Saison Russe in Berlin is Boris Eifman’s most iconic ballet, Red Giselle, a skilful tribute of the choreographer to the great Russian ballerina Olga Spessivtseva.

****1

Eifman Ballet: Tchaikovsky Pro et Contra

Jeff Slayton, 23rd June

TCHAIKOVSKY, PRO ET CONTRA is a ballet by Boris Eifman that beautifully examines how Tchaikovsky's internal struggles inspired his amazing music that inspires still.

****1

Eifman: Up and Down

Margaret Willis, 6th December

Eifman Ballet is back in London with Boris Eifman's latest ballet, Up and Down

***11

Eifman Ballet's Rodin

Margaret Willis, 3rd February

The energy exuded from The Eifman Ballet in Rodin was enough to light – and keep burning – the Olympic torch. At the Alexandrinsky Theatre, St Petersburg.

*****

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Stephanie Sirabian

Stephanie started dancing when she was three years old and never stopped. She earned her B.A. from Tufts University majoring in History with a minor in dance and currently works in publishing as a copywriter. In her spare time she enjoys creative writing and exploring all the advantages of living in NYC.