Echoes and pre-echoes: Sir Mark Elder and The Hallé at the Proms

Por Alexander Hall, 08 septiembre 2021

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“crystalline articulation, sparkle and brilliance in colouring, bravura control in rapid passagework”

Crítica hecha desde Royal Albert Hall, Londres el 7 septiembre 2021

Chin, subito con forza* (UK premiere)

Beethoven, Concierto para piano núm. 4 en sol mayor, Op.58

Liszt, 2 Konzertetüden: Gnomenreigen (Dance of the Gnomes), S 145 no. 2

Saint-Saëns, Sinfonía núm. 3 en do menor, para orquesta y órgano, op. 78

Benjamin Grosvenor, Piano

Anna Lapwood, Órgano

The Hallé

Sir Mark Elder, Dirección

The Hallé y Kahchung Wong poco comunicativos en València

Daniel Martínez Babiloni, 14th January

The Hallé presentó a Kahchung Wong, su nuevo director titular, en un concierto tedioso y poco comunicativo.

**111

Tarmo Peltokoski conducts the Hallé in Mahler and Vaughan Williams

Leighton Jones, 16th April

Mahler’s Rückert-Lieder provide an apt, if somewhat unexpected, partner to Vaughan Williams’ A Sea Symphony in Manchester’s Bridgewater Hall.

****1

Concertos – for violin and for orchestra – from the Hallé

Peter Connors, 22nd March

Viktoria Mullova is a superb soloist in Brahms' Violin Concerto, while an orchestra full of soloists play Bartók’s Concerto for Orchestra with Kahchun Wong presiding.

*****

Nico Muhly’s vision of the end of the world comes to Sheffield

Phil Parker, 15th March

Doom – both personal and cosmic – and its aftermath are the focus of Alpesh Chauhan’s Hallé concert at Sheffield’s City Hall.

****1

Avant-garde echoes meet minimalist soundscapes in Hallé concert

Pwyll ap Sion, 26th February

Jonny Greenwood’s genre-defying music is given a powerful performance by violinist Daniel Pioro and members of The Hallé Orchestra under Hugh Tieppo-Brunt.

****1

Celestial journeys with Kahchun Wong and the Hallé

Rohan Shotton, 19th February

Kahchun Wong returns to The Hallé for Holst and Unsuk Chin, with a postscript from Colin Matthews

***11

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Echoes and pre-echoes: Sir Mark Elder and The Hallé with Benjamin Grosvenor at the Proms