A welcome set of farewells: Elisabeth Brauß at Wigmore Hall

Elisabeth Brauß

Por Roy Westbrook, 03 diciembre 2024

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“hearing Elisabeth Brauß play it here, I now know the composer told us the plain truth”

Crítica hecha desde Wigmore Hall, Londres el 2 diciembre 2024

Bach, Capriccio sopra la lontananza del suo fratello dilettissimo, (On the departure of a most beloved brother), BWV992

Beethoven, Sonata para piano núm. 26 en mi bemol mayor "Les Adieux", Op.81a

Schumann, Geistervariationen in E flat major, "Ghost Variations", WoO 24

Prokofiev, Sonata para piano núm. 7 en si bemol mayor, Op.83

Schumann, Waldszenen: Abschied, Op.82 no.9

Elisabeth Brauß, Piano

Watery worlds, rhythmic fire from Brauß and Hickox with the BBC

Leighton Jones, 7th February

Elisabeth Brauß excels in Ravel with the BBC Philharmonic and brings and unexpected encore.

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Le sombre récital d'Elisabeth Brauß à Piano aux Jacobins

Thibault d'Hauthuille, 16th September

De Bach à Prokofiev en passant par Mendelssohn, Liszt et Brahms, la jeune pianiste allemande a relevé le défi d'un programme dense, sans toutefois convaincre dans toutes les pièces.

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Elisabeth Brauß brings sensitive insights at Wigmore Hall

Linda Holt, 12th October

As part of Wigmore Hall's autumn series, German pianist Elisabeth Brauß performed works of three centuries with maturity, elegance, and finesse.

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Successful resurrection of Farrenc's Third Symphony by Insula Orchestra

Dominic Lowe, 8th March

There's a strong chance that the majority of the audience had never seen Louise Farrenc's Third Symphony before; conductor Laurence Equilbey made a strong case for repeat performances.

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Excelente Vivaldi con Janine Jansen y la Camerata Salzburg en Madrid

Leonardo Mattana Ereño, 26th April

Janine Jansen ofreció un concierto acompañada por la Camerata Salzburg, demostrando ser una de las violinistas más interesantes del panorama actual.

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Il Giustino de Vivaldi revive en el Teatro Real con René Jacobs

Aaron Vincent, 25th April

Un Vivaldi de sorprendente vigor teatral cierra en el Teatro Real la gira europea de la Freiburger Barockorchester bajo la batuta de René Jacobs.

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.