Double vision in Wiener Staatsoper's Entführung

Por George Jahn, 18 octubre 2020

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“Lisette Oropesa shone both in voice and action... demonstrating ownership of the role from the start”

Crítica hecha desde Wiener Staatsoper, Viena el 16 octubre 2020

Mozart, El rapto en el serrallo (Die Entführung aus dem Serail)

Wiener Staatsoper

Antonello Manacorda, Dirección

Hans Neuenfels, Dirección de escena

Christian Schmidt, Diseño de escena

Bettina Merz, Diseño de vestuario

Lisette Oropesa, Konstanze

Daniel Behle, Belmonte

Goran Jurić, Osmin

Regula Mühlemann, Blonde

Michael Laurenz, Pedrillo

Christian Nickel, Bassa Selim

Emanuela von Frankenberg, Actor

Stella Roberts, Actor

Andreas Grötzinger, Actor

Christian Natter, Actor

Ludwig Blochberger, Actor

Stefan Bolliger, Diseño de iluminación

Henry Arnold, Dramaturgia

Concert Association Vienna State Opera Chorus

Orchestra of the Vienna State Opera

At half mast: Simon Boccanegra revived in Vienna

Orsolya Gyárfás, 19th April

Marco Armiliato's conducting thrills and Federica Lombardi's radiant Amelia stands out in the Wiener Staatsoper's latest revival of Simon Boccanegra.

***11

Anna Netrebko shines in Vienna’s timeless Tosca

Laura Servidei, 18th April

In a world where opera productions often stray into the abstract, the Wiener Staatsoper’s Tosca offers a refreshing return to tradition – and Anna Netrebko delivers a splendid performance.

****1

Am Rande der Gesellschaft: Wozzeck an der Wiener Staatsoper

Isabella Steppan, 11th April

An der Staatsoper siedelt Simon Stone Bergs Oper im modernen Wien an, wobei die Inszenierung bedrückend aktuell ist. Und auch musikalisch hat der Abend viel zu bieten, insbesondere dank dem Orchester unter Franz Welser-Möst.

****1

Parsifal an der Wiener Staatsoper: und es ward Licht im Gralsgefängnis

Snapdragon, 5th April

Die Inszenierung von Kirill Serebrennikov passt zwar nicht zur Atmosphäre, gesanglich – mit Klaus Florian Vogt in der Titelrolle – begeistert die Vorstellung jedoch umso mehr.

****1

Tragedy in the mirror: Minghella’s Madama Butterfly in Vienna

Laura Servidei, 14th March

Ermonela Jaho returns to one of her signature roles as Cio-Cio-San, delivering a searing and deeply nuanced portrayal.

****1

Too much and too little: Jan Lauwers’ restless Clemenza in Vienna

Chanda VanderHart, 12th March

The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own.

***11

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George Jahn

George Jahn is the former Vienna bureau chief of The Associated Press. During his 35-year career at the global news organization, he covered wars, politics... and opera, reviewing productions at the Vienna State Opera, the Salzburg Festival, Bayreuth Festival and other houses in Austria and Germany. He has also written for Opera Now and International Piano magazines in London. Those he has interviewed include Matthias Goerne, Vesselina Kasarova, Thomas Hampson and Mariss Jansons. George holds or shares awards for his reporting on U.N. affairs and for his coverage of the Bosnian war. A Canadian/Hungarian citizen, he splits his time between residences in Vienna and Budapest.

Double vision in Wiener Staatsoper's Entführung... and the opera benefits