Cavalli's Erismena illuminates the Jeu de Paume

Por Mark Pullinger, 08 julio 2017

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“Leonardo Garcia Alarcón drew voluptuous playing from the 11-strong Orchestre Cappella Mediterranea”

Crítica hecha desde Théâtre du Jeu de Paume, Aix-en-Provence el 7 julio 2017

Cavalli, Erismena

Leonardo García-Alarcón, Dirección

Jean Bellorini, Dirección de escena, Diseño de iluminación

Véronique Chazal, Diseño de escena

Macha Makeïeff, Diseño de vestuario

Alexander Miminoshvili, Erimante

Francesca Aspromonte, Erismena

Susanna Hurrell, Aldimira

Stuart Jackson, Alcesta

Carlo Vistoli, Idraspe

Jakub Józef Orliński, Orimeno

Andrea Vincenzo Bonsignore, Agrippo

Jonathan Abernethy, Diarte

Tai Oney, Clerio

Lea Desandre, Flerida

Cappella Mediterranea

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Idealización de tonalidades luminosas y pulso musical en las líneas románticas de Massenet, capitaneadas por el estreno de Xabier Anduaga en el papel del joven protagonista.

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Tangled plot, sensuous score: Cavalli's Erismena illuminates the Jeu de Paume