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A routine Fidelio in Vienna saved by some impressive debuts

Por Jonathan Sutherland, 08 enero 2016
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Crítica hecha desde Wiener Staatsoper, Viena el 7 enero 2016
Programa
Beethoven, Fidelio
Intérpretes
Wiener Staatsoper
Peter Schneider, Dirección
Otto Schenk, Dirección de escena
Günther Schneider-Siemssen, Diseño de escena
Leo Bei, Diseño de vestuario
Anja Kampe, Leonore
Klaus Florian Vogt, Florestan
Albert Dohmen, Don Pizarro
Stephen Milling, Rocco
Valentina Naforniţă, Marzelline
Jörg Schneider, Jaquino
Boaz Daniel, Don Fernando
Dritan Luca, First prisoner
Hiro Ijichi, Second prisoner
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***11
Anna Netrebko shines in Vienna’s timeless Tosca
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****1
Am Rande der Gesellschaft: Wozzeck an der Wiener Staatsoper
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An der Staatsoper siedelt Simon Stone Bergs Oper im modernen Wien an, wobei die Inszenierung bedrückend aktuell ist. Und auch musikalisch hat der Abend viel zu bieten, insbesondere dank dem Orchester unter Franz Welser-Möst.
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Die Inszenierung von Kirill Serebrennikov passt zwar nicht zur Atmosphäre, gesanglich – mit Klaus Florian Vogt in der Titelrolle – begeistert die Vorstellung jedoch umso mehr.
****1
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Ermonela Jaho returns to one of her signature roles as Cio-Cio-San, delivering a searing and deeply nuanced portrayal. 

****1
Too much and too little: Jan Lauwers’ restless Clemenza in Vienna
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The creative team behind the new Staatsoper Clemenza is unwilling to trust that Mozart’s opera is interesting enough to stand on its own. 
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Más críticas...
Leer críticas de
Albert DohmenAnja KampeBoaz DanielFidelioGünther Schneider-SiemssenJörg SchneiderKlaus Florian VogtLeo BeiLudwig van BeethovenOtto SchenkPeter SchneiderStephen MillingValentina NaforniţăWiener Staatsoper
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Jonathan Sutherland
Jonathan Sutherland
Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.