Tempest-tossed on the storm of life

Por Charlotte Valori, 23 noviembre 2015

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“it is our sudden, imposed rootlessness which puts us all at sea with the Dutchman”

Crítica hecha desde St John's Fulham, Londres el 20 noviembre 2015

Wagner, Der fliegende Holländer (El holandés errante)

Fulham Opera

Ben Woodward, Dirección

Daisy Evans, Dirección de escena

Janet AN Fischer, Senta

Edward Hughes, Erik

Keel Watson, Dutchman

John Milne, Daland

Mae Heydorn, Mary

Tom Lowe, The Steersman

Patriot games: Simon Boccanegra at Fulham Opera

Charlotte Valori, 11th March

Verdi's rarely-performed masterpiece gets an intense, intimate outing with a very fine cast at Fulham Opera.

****1

Ben Woodward, in his superb musical act of reduction with Fulham Opera at St John's Church, Fulham, has brought us a Ring of eyewatering clarity, raw beauty and visceral power. Cancel everything, and go.

Charlotte Valori, 16th February

Ben Woodward, in his superb musical act of reduction with Fulham Opera at St John's Church, Fulham, has brought us a Ring of eyewatering clarity, raw beauty and visceral power. Cancel everything, and go.

*****

Fulham Opera: Das Rheingold

Charlotte Valori, 9th February

Fulham Opera's intense, beautiful, powerful opening to their Ring cycle at the lovely St John's Church in Fulham was a privilege to watch, and promises well for all remaining nights.

*****

The Fulham Ring concludes with Götterdämmerung

Roger Smith, 8th November

There are times a tarnhelm would come in useful. Limited to more conventional means of transport, this reviewer found that it took a ridiculous hour and a half to drive from Soho to Fulham, as a result of which I’m afraid I missed the opening scene of Fulham Opera’s Götterdämmerung.

***11

Wagner done proud in Fulham: Siegfried from Fulham Opera

Paul Kilbey, 12th February

You have to sit in a small Fulham church, on a pretty uncomfortable chair, for at least four hours. And listen to a load of opera singers warbling about dwarves and gold and stuff. From certain perspectives, Fulham Opera’s production of Wagner’s Siegfried doesn’t sound like much fun at all.

****1

Die Walküre at Fulham Opera

Capriccio, 22nd May

For any opera company to mount a Wagner opera is a great undertaking. For a very small semi-professional opera company to mount the entire Ring cycle is a feat of extraordinary daring and perhaps madness. But that is exactly what Fulham Opera has decided to do.

***11

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Charlotte Valori

Charlotte Valori read Classics at Christ Church, Oxford. As a classicist, her main interest is Greek tragedy and its reception by later cultures, which has led to a continuing passion for theatre and opera. Charlotte reviews for several online magazines, and won the Bachtrack Opera Award 2015 for Best Written English Review. Follow her on Twitter @operissima.

Tempest-tossed on the storm of life: Wagner’s Der fliegende Holländer at Fulham Opera