Gallic pleasures at Wigmore Hall

Por Mark Valencia, 14 enero 2018

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“mesmerising eloquence and discreet panache”

Crítica hecha desde Wigmore Hall, Londres el 13 enero 2018

Debussy, Prélude à l'après-midi d'un faune (Arr Benno Sachs)

Vierne, Deux pièces Op. 5

Debussy, Beau soir (Arr for viola and piano)

Honnoré, Morceau de concert Op.23

Duparc, L'Invitation au voyage

Duparc, Phidylé

Debussy, Trois poèmes de Stéphane Mallarmé (Arr. Colin Matthews)

Ravel, Chansons madécasses

Ravel, Cuarteto de cuerda en fa mayor

Stéphanie d'Oustrac, Mezzosoprano

Nash Ensemble

Lawrence Power, Viola

Ian Brown, Piano

Nash Ensemble: música contemporánea en el Wigmore Hall

Francisco Martínez Ramos, 27th April

El Nash Ensemble ofreció un gran concierto desde el Wigmore Hall con obras contemporáneas entre las que se contaban tres estrenos mundiales.

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Nash Ensemble intepreta a Falla

Katia de Miguel, 14th March

Nash Ensemble nos llevó de viaje desde Granada a Cádiz, pasando por Linares en un recorrido lleno de pasión y buen hacer, donde disfrutamos de coloridos paisajes e historias de amor y desamor.

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The Nash Ensemble celebrates Amelia Freedman at Wigmore Hall

Roy Westbrook, 2nd February

This Memorial Concert, given by the Nash Ensemble at Wigmore Hall, unites both the group and the venue closely associated with Amelia Freedman’s distinguished career as an arts administrator.

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Nash Inventions: a sonic feast for six decades

Christopher Woodley, 18th March

Martyn Brabbins and Claire Booth are among the Nash Ensemble's regular collaborators celebrating the group’s 60th Anniversary, marked by four world premieres.

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Late night lunaire: Schoenberg's Pierrot with Claire Booth

Roy Westbrook, 21st June

A midsummer night but no moonshine for this madness in the Britten Studio.

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Nash Ensemble’s Inventions evoke vivid landscapes and sombre memories

Christopher Woodley, 26th March

Fine performances from Claire Booth and Nash Ensemble conjure up the dramatic landscapes of Andalusia, the Hebrides and the wilds of southern Wisconsin, as portrayed by Harrison Birtwistle and Simon Holt.

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.

Gallic pleasures at Wigmore Hall: The Nash Ensemble's French Connection