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Work: Symphony no. 4 in G major

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Fact file
ComposerMahler, Gustav (1860-1911)
Period20th century
Work typeOrchestral
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BambergHelene Grimaud plays Ravel

Ravel, Mahler
Bamberg Symphony; Jakub Hrůša; Hélène Grimaud; Kateřina Kněžíková

EssenHelene Grimaud plays Ravel

Ravel, Mahler
Bamberg Symphony; Jakub Hrůša; Hélène Grimaud; Kateřina Kněžíková

CologneHelene Grimaud plays Ravel

Ravel, Mahler
Bamberg Symphony; Jakub Hrůša; Hélène Grimaud; Kateřina Kněžíková

Frankfurt am MainHelene Grimaud plays Ravel

Ravel, Mahler
Bamberg Symphony; Jakub Hrůša; Hélène Grimaud; Kateřina Kněžíková

MadridOrquesta de la Comunidad de Madrid: Concierto VII

Orquesta de la Comunidad de Madrid: Concierto VII
Mozart, Mahler
Orquesta de la Comunidad de Madrid; Jordi Casas; Alicia Amo; Sonia Gancedo; Javier Carmena; Fernando Rubio
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Jakub Hrůša leads TCO in John Adams’ On the Transmigration of Souls

Joélle Harvey, Jakub Hrůša and The Cleveland Orchestra © Roger Mastroianni, courtesy of The Cleveland Orchestra
A brilliant programming decision paired Adams’s 9/11 memorial with Mahler’s life-affirming Symphony no. 4, with the fine soprano Joelle Harvey as soloist.
***11
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Melodic extremes from Harding and the Wiener Philharmoniker

The Vienna Philharmonic in the Konzerthaus © Julia Wesely
Christiane Karg is the resplendent soprano in a wonderful performance of Mahler's Fourth at the Konzerthaus.
****1
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Bychkov and the BBC SO embrace the spirit of Mahler

Semyon Bychkov © BBC | Chris Christodoulou
The BBC Symphony Orchestra in exceptionally fine form under Semyon Bychkov explore the links from Schubert to Mahler and the present-day Glanert.
****1
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Bohemian Rhapsody: Haitink rocks 90 with the LSO

Bernard Haitink © Mark Allan | Barbican
A wonderful evening of unforced, smiling music-making from Bernard Haitink, Isabelle Faust and the London Symphony Orchestra. 
*****
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Cool brilliance: Currentzis conducts Mahler at the Philharmonie

Teodor Currentzis © Olya Runyova
Theodor Currentzis and his musicAeterna bring blistering detail and revelatory playing to Wunderhorn-period Mahler, but it ultimately proves short on warmth. 
****1
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